Blair Hall – Princeton UniversityI’d like to share the following article about Went with you because it’s very well written. Wentworth Miller – Actor/Writer.He arrived as an actor in 2003 with his outstanding performance as a young black man passing for white in The Human Stain, a success he amplified — along with his fan base — by playing the resourceful, self-sacrificing brother of a man on death row in the Fox series Prison Break. Yet it is as a screenwriter that Wentworth Miller is making his deepest mark on the movies. His script for Stoker — titled in honor of the author of Dracula, but about a family whose bloody interactions are psychological, not supernatural — not only made the 2010 Black List but attracted Nicole Kidman, Mia Wasikowska and director Chan-Wook Park. In the works are a prequel, called Uncle Charlie; The Story of Edgar Sawtelle, a murder mystery based on a novel by David Wrobleski; an original ghost story, The Disappointments Room; Scare Me, based on Richard Parker’s novel; and With a Friend Like Harry, an American retelling of Dominik Moll’s sinister French hit. Born in 1972 in Oxford, England (where his dad was a Rhodes Scholar), he grew up in Brooklyn, was educated at Princeton, and boasts a United Nations of ancestors: African, Jamaican, Russian, French, Syrian and Native America. Despite a bloodline worthy of a Tolstoy novel and an alma mater in common with F. Scott Fitzgerald, he had neither the nerve nor the motivation to try writing, at first. A desire was there, but acting drew him first, to the initial chagrin of his parents. Success eased their worries — and, as it turns out, lit a spark in Miller himself. Once he tried his hand at playing all the parts on paper, being master of his own little universe, he found writing the most satisfying creative experience of his life. A different kind of caution became his game plan — he sent Stoker around under a pseudonym. Experience has taught him that Hollywood likes nothing better than to put you in a box. He worried that his writing wouldn’t be taken seriously if people looked at it and thought, actor. Not that he’s quit acting — in October he’ll be seen in The Loft, written by Wesley Strick — but for now he’s happy to be the new go-to guy for suspense dramas and thrillers. Not afraid to branch out, he’s got a historical biopic in the oven, but is mum about its protagonist. He’s also cooking up an original spec so personal that he hopes to direct it — the next logical ambition, given his present success rate — and he admits to one slight phobia. Comedy scares him.Favorite way to procrastinate: What I will admit to doing — when I’m feeling insecure about my writing — is that I’ll go and see a movie that I know will be crap. Then I’ll sit there eating popcorn thinking, “Well, this got made.” And then I’ll feel hopeful again. Then I’ll go home and write. [A method to Went’s madness… she teases.]Pastime you’ve taken up between takes: Do naps count as a pastime? [Yep they sure do Went… one of my favourites too!]Best place you’ve found to write: Near the refrigerator. [Yes I've said it before … Went loves food. That means the way to Went’s heart is through his stomach. I rate myself as being a pretty good cook … just saying Went. [She giggles.]Band or singer you’re obsessed with: Lately I’ve been listening to a lot of early Françoise Hardy. And the Bird and the Bee. And the Mills Brothers. I love those guys. [Hey so do I! What can I say Went’s got good taste.]http://fadeinonline.com/top-100-people-in-hollywood-you-need-to-know-2.html/10These lucky ladies had the privilege of meeting Went too at Martino’s/Macaroni’s.
http://statigr.am/p/519118767099248711_337503103#/detail/519118767099248711_337503103http://martinosashland.com/What a happy picture this is of Went. Notice how he’s smiling from ear to ear. It’s obvious that Went enjoys being acknowledged by his fans and I’m just thrilled to see him loving all the attention because he truly deserves all the appreciation and affection from his fans. Went has earned my respect that’s for sure! Mr Miller, hopefully one day I’ll have the privilege of meeting you in person too. [She says shyly.]There’s no harm in dreaming … is there? 
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It's A Privilege Getting To Know Wentworth Miller Images
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Getting to know Prison Break hottie
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Did You Know Stoker Was Written By That Hot Dude From Prison Break ...
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Wentworth Miller by ~River-Severn on deviantART
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Name: Mommy Occupation: Nurse Hometown: Born in NY, but LA is home. Random fact: I can paintFavorite Quote: yesterday is history, today is a mystery, tomorrow's a gift, that's why we call it the presentAnd...Life is short, eat dessert first! ... She's older than she looks guys . A mother of four. (I'm one of those four!) and a grandmother of four :) 




Inside the Cinefamily Theater in Los Angeles, CA. Notice the portraitof Louise Brooks on the wall!"There’s a reason the name Louise Brooks elicits sighs every time it’s mentioned at the Cinefamily: her ferocious charisma and otherworldly beauty cemented her status as an icon well before she retired from the silver screen, at the age of 32. From her comic role opposite W.C. Fields to multiple turns as troubled, willful heroines in the films of legendary German Expressionist auteur G.W. Pabst, Brooks shines as an actress capable of endless nuance and versatility — as she understood the impact both her inner and outer beauty could bring to the screen. Here, in her second and final collaboration with Pabst, Brooks gives a delicately restrained performance as the naive daughter of a prosperous pharmacist who stuns her clan by becoming pregnant. After being put through the repressive reform school ringer, she escapes to a brothel where she becomes liberated and lives for the moment with radiant physical abandon. Pabst’s escalating nightmares are heightened by Brooks’ sensitive portrayal of a truly lost girl whose hard-earned redemption is as beautiful a vision as the star herself. Dir. G.W. Pabst, 1929, 35mm, 116 min. - See more at: http://www.cinefamily.org/films/the-silent-treatment/#the-silent-treatment-louise-brooks-in-diary-of-a-lost-girl"
See the movie? Read the book. Check out the "Louise Brooks edition" of Margarete Bohme's controversial bestseller, The Diary of a Lost Girl - available through Indiebound and Amazon. 



"Her Royal Highness, the Duchess of Cambridge, was safely delivered of a son at 4.24pm today. Her Royal Highness and her child are both doing well" (CLICK)







James Gandolfini.Very sad news about actor James Gandolfini who has died of a suspected heart-attack at the age of just 51 while on holiday in Italy. Only a couple of weeks ago Pam Corkery and I were talking on The Two (Newstalk ZB Friday and Sunday evenings from 8pm) about how The Sopranos had just been voted the best written TV show of all time, a show I always liked a great deal and Pam always loved.Gandolfini played mob boss Tony Soprano from 1999 to 2007 and the thing that struck me today was how young he must've been when he took on what became one of the most iconic roles in American television history. Doesn't 37 seem young to play a mob boss? But Gandolfini always had a presence, whether intimidating or vulnerable.News of Gandolfini's death is extra sad when you learn he leaves behind not only a teenage son from his first marriage, but a wife of five years and a baby girl who hasn't even celebrated her first birthday. As far as tributes go, I see the creator of The Sopranos David Chase has today called his friend a genius, saying that, "a great deal of that genius resided in those sad eyes."So with that in mind, here is a song for James Gandolfini, a truly beautiful buried treasure of a Bruce Springsteen song. Recorded in 1990 and staggeringly left off both of Springsteen's underbought, simultaneously released 1992 albums Human Touch and Lucky Town, this is one of my favourite of his ballads. Sad, beautiful and a potential hit, this is Sad Eyes.


This is the AccuWeather Regional Radar as of 7:07pm CDT.There are still multiple tornado warnings and situations with damaging winds.7:17pm radar:
7:18pm radar:
Central Ohio at 7:17pm:




I loved Iron Man and Iron Man 2 FYI. I did come out of Iron Man 2 wishing they had more of Tony and Peppers relationship instead of them just coming together at the end. Whiplash was a cool character in concept and design but I think the filmmakers initial idea for Whiplash to go more compact and terroristic (See concept art by Ryan Mienerding that was revealed on the new box set with all the marvel movies) at the end of the movie was better than him build a big suit of armor and just have a big set of whips. But it did look cool at least and the suitcase armor was amazing with a cool armor-up process.
oh my.So the other twists were great too. The Maya double cross was great and the moment when Iron Man was hit by a car was confusing and a great moment for my brain to catch up with. The Extremis stuff was cool and the graphics were really excellent. I saw it on Imax 3d and the 3d was okay but it's definitely a trade off as you lose a lot of the detail you get from the digital format. I recommend seeing this movie at a drive in. Mostly for the sound quality you get. My paragraphs share no common theme.
A wraparound of the mark 42 for toy design.The Mark 42 was an awesome running gag through the movie. What was shown to us in the trailers to be the ultimate suit of armor was just a messy prototype. When I told my Dad how Tony armors up with the mark 42 he rolled his eyes and I had to remind him it looks awesome so who cares. I think the concept was not a stretch for the Marvel Universe and really added some fun to the movie. Armoring up is my favorite part of the movie Iron Man and this movie had him going in and out of suits about 20 times. Seriously I think it was about that many. The finale had some great moments of him jumping in and out of suits and even just parts of the armor coming off.
Concept art by Adi GranovMy only main complaints were Pepper in the finale (I don't know why. It just looked funny and was a weird idea for a newly Extremis'd person to beat the crap out of an experienced guy) and the under-powering of the armors in the finale. Some people say that they were all just prototype units, but I know they just did it to add some conflict and some cool explosions. And along with that they went and designed 35+ suits of armor and only showcased 5-6 of them. After the movie the first thing I did was try and find all the armors. Which was difficult. But I did it. Some dude scanned these in. Some are almost exactly the same as others but all in all I think they are great. I still can't figure out which one he was wearing in the finale when he was fighting on some scaffolding and had small vertical lights on both sides of his arc reactor. The Silver Centurion armor was one of my favorites.
the heartbreaker armor-modeled after James Dean.The fight scenes were great. Every one. The fights without the armor or partially with the armor were maybe the best of the bunch too. My wife said, "Yeah right." Speaking of great the little kid was a fun addition and Tony's relationship with him was unexpected and fun. The movie had some great jokes and even some Downton Abbey which I addmittedly have watched. And other stuff happened in this movie. It was mostly good stuff. Let me know what you thought in the comments section! Enjoy the Marks 5-42!







Scans from-http://forums.superherohype.com/showthread.php?t=455137&page=9I'm pretty sure they are from 'The Art of Iron Man 3' which comes out soon.

